A Florissant Italian Cinema of the 1960-1980

As early as 1958, the so-called “economic miracle” began. This implies an increase in the production of films. There are more than 200 films produced per year! Implicitly, that says important production says diversity of the films produced. Thus, there is a certain balance between auteur cinema and genre cinema. The increasing attendance of cinemas is a revealing sign of the good economy of those years.

Cinematographic Features

The main characteristic of this period is the fact that several generations of directors cohabit:

  • The generation that began in the 1940s with Roberto Rossellini, Vittorio De Sica, and Luchino Visconti
  • The generation that began in the 1950s with Federico Fellini, Michelangelo Antonioni, Valerio Zurlini
  • The generation that starts in the 1960s
  • We also note the abundance of genre films in the 1960s.

The Old Generation:

Roberto Rossellini

Even though the director started his career in the 1940s, he signed big films that must be mentioned. Rossellini is interested in the war in General Della Rovere (1959) and in The Escapes of the Night (1960). He also signed some historical films like Viva l’Italia and Vanina vanini in 1961. He then turned to television for which he made many films. As you watch movies online free then it is for sure that you will be able to have the best deals now.

Vittorio De Sica

In 1960, he adapted Moravia’s novel La Ciociara. He also signed The Last Judgment in 1961, Il boom in 1963, Italian Wedding in 1964 and The Garden of Finzi Contini in 1970.

Giuseppe De Santis

The director is interested in the engagement of the Italian troops in Russia during the Second World War in The bachelor made in 1960. He signed Italiani brava gente in 1964 (Walking or Dying in French)

  1. The fulfillment of certain filmmakers:

Luchino Visconti

It was in the 1960s that Luchino Visconti probably signed his best films. In 1960, he directed Rocco and his brothers , a film quite close to neorealism, which was already a thing of the past. He also signed more intimate works such as Sandra in 1965. He also produced historical frescoes such as The Damned in 1969 and The Cheetah in 1963. The Cheetah is undoubtedly one of his best-known works. It is an adaptation of a novel of the same name just as famous by Giuseppe Tomasi Di Lampedussa. Note that Visconti’s adaptation only comes out 5 years after the release of the novel.

Rocco and his brothers

Michelangelo Antonioni

Michelangelo Antonioni also matured in the 1960s by creating his trilogy of feelings composed of L’Avventura in 1960, La Nuit in 1961, and L’Eclipse in 1962. From 1964, he decided to adopt a new point of view and see the world. Thus ventures into the suburbs of Ravenna to realize Red Desert in 1964, in London for Blow up in 1967, in America for Zabriskie point in 1969. It extends the experience in the 1970s by traveling to Africa and Europe to Profession: reporter in 1975 and finally in China to make a documentary Chung Kuo in 1973.